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This is a fashion blog dedicated to the critical review of the top fashion collections and shows around the fashion industry and my personal style and development as a young adult interested in fashion.

Wednesday, March 25, 2015

Alexander Wang Fall/Winter 2015 Ready-to-Wear Review


     Alexander Wang is a designer that I have never reviewed on this blog before. Personally, I have felt in the past that his clothes have been more athletic and therefore, not really my taste. Sure, he’s a noticeable designer who is now creative director of the wonderful Balenciaga brand in Paris as well as his own in New York. He also creates great clothes and accessories that are usually in grayscale for both brands. He’s sort of known for that kind of thing. Oh, and let’s not forget his recent collaboration with H&M that crashed their website and completely sold out in a matter of days. However, why I am reviewing his latest show for his own brand is another matter. Shown during New York Fashion Week, this collection was mostly black, and very very goth. The models were Frankenstein-esque with hunched shoulders, menacing faces, and stopping, thick soles of very tall boots on a black catwalk. Nearly every piece in the collection was black, except for a few exceptions of beautiful red plaid coats, white studded cable knit sweaters, and light blue jeans tucked into cherry red boots. A carved and shiny black leather jacket over zippered and chained pants with a studded bag, for example, was one complete look that entrapped all the motifs of the “darker side” aesthetic. Other wonderful looks like a knee length dress with heavy vertical rows of chains created a strong yet feminine and beautiful message. There were massive coats with broad lapels that draped and framed magnificently over turtlenecks just oozing with hardware. Towards the end of the collection, fabrics became sheerer, softening the image and revealing skin.  A few dresses in particular held a futuristic print of lines strategically placed and corseted at the waist. This was a strong and dark collection for Alexander Wang that certainly grabbed my attention.


Friday, March 20, 2015

Fashion Needs

     Spring is just around the corner and with the reemergence of the sun, I thought it would be a good time to show my latest obsession: sunglasses! I've taken a liking to vintage inspired sunglasses that are also different, weird, and new. Here are a few selections I think are extremely interesting and would want to purchase. 
1990's Sunglasses
$18.00

Double Frame Vintage Sunglasses
$24.00

Silver Embellished Sunglasses
$40.00

Black Metal Mirrored Sunglasses
$39.00

Forever 21 MEN Spitfire Black Sunglasses
$39.00

Gold Pin Eyewear
$198.00


Gold, Silver, or Pink Finish Spiked Sunglasses
$40.00


Monday, March 16, 2015

What I Wore




Jacket: Vintage BCBG for Nordstrom
Shirt: Topman
Jeans: Levi's 510
Boots: Dr Martens 1460
Collar Chain: Topman

Friday, March 13, 2015

Alexander McQueen Fall/Winter 2015 Ready-to-Wear Review

     Sarah Burton's Fall/Winter 2015 presentation for Alexander McQueen brought back the romance. For a microsecond, I thought this collection would be very ecclesiastical, but it fact, it was a bit deeper than that. Frizzy hairdos, layered clothes and white, wet eyes brought a theme to a new high. The hair selection actually evoked McQueen's Spring/Summer 2007 "Sarabande" and Fall/Winter 2008 "The Girl Who Lived in a Tree" collections. With all that's going around with Alexander McQueen, the V&A exhibition of Savage Beauty, SHOWstudio.com's projects highlighting McQueen's early years in London as well as previously unseen footage of the late designer, and two books published already this year on McQueen, interest seems to be at a high. This is reason enough for the brand today to present something that calls back Lee McQueen's work as well as move it forward to the future. Thus, this show was presented in the Conciergerie in Paris, where McQueen hosted his "Supercalifragilisticexpialidocious" show during the Fall/Winter 2002 collection. As it happens, this venue is also the place where Marie Antoinette was held in jail before her public execution on the guillotine in 1793. So there's the morbidity of McQueen. But what about the other things? There was the strong woman, wrapped in structured jackets of etched leather and printed softer fabrics. She sashayed down the aisle in square toed heels and wore a high collar that held her head high and straight.There were beautifully cut ruffles on dresses and harness-like lace across chests and necks. Similar to last season, Sarah Burton seems to play with the tension of constriction and loose flow, other examples including belted over coats and dresses. I particularly like Look 22, with a deep red fur collar contrasting a black and even deeper green printed coat fraying at the hemline. This specific look evokes Lee McQueen's Fall/Winter 1996 "Dante", Fall/Winter 1997 "It's a Jungle Out There", and Fall/Winter 1998 "Joan" collections. Overall, a strong and beautiful collection with incredible pieces that express enticing ideas for the future of the Alexander McQueen brand without forgetting it's incredible past. 




© Brock Anthony Lee

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