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This is a fashion blog dedicated to the critical review of the top fashion collections and shows around the fashion industry and my personal style and development as a young adult interested in fashion.

Wednesday, September 30, 2015

Maison Margiela Spring/Summer 2016 Ready-to-Wear Review

     John Galliano's latest collection for Maison Margiela was a kaleidoscopic success. By now it is understood that Galliano's directing and the house of Margiela's techniques together make a beautiful pair. There is an element of DIY and reworking of exquisite techniques that makes the fashion modern. The clothes shimmered and flowed around the highly stylized models in a way that is absolutely breathtaking and unexpectedly humorous. The looks are steely, chic, powerful, and playful, sometimes in all the same garment. Also, there is an element of androgyny that Galliano has played with before that I feels right for the time. Today there seems to be a question of importance of or the relevance of gender in fashion and in clothes. This is something near and dear to my heart currently because I personally believe that clothes should not be gendered, and that people shouldn't be required by society to wear something assigned to them by their sex. In this collection, I feel that Galliano has the same concept in mind. He explores and travels from masculinity and femininity in an almost, dare I say, Bowie-esque way. Acid green pantsuits, geometric and bright eye makeup, and strange proportions are perhaps examples to prove my point. On another aspect of this collection, I would agree with several journalists who have pointed out a oriental play on detailing and styling. I understand the references, but frankly I believe that there is thousands of other pieces of inspiration that goes into designing a collection like this. Yes, there is geisha-like styles of hair, makeup, and embroidery, but there is also countless of other things in the pot besides the East Asian inspiration. For example, I see a lot of 1960's futurism in this collection. The silvery gowns and white spaceship-like shoes are prime pieces that highlight this idea. Case in point, this collection is fabulously complex without being too heavy. It's a breath of fresh air while embracing maximalism rather than minimalism. I really think we need to embrace creativity and we need to have fun in fashion, rather than allowing fashion to become something that is too simplistic without much thought or commentary on the world we live in. I hope that more designers, new and experienced, will look at this collection as inspiration for future ideas because I truly do love the complexity that goes into Maison Margiela currently. 

Friday, September 25, 2015

Gareth Pugh Spring/Summer 2016 Ready-to-Wear Review

     Gareth Pugh is a designer who can be quite unpredictable. Show-goers have often stated that the nuances of his shows always seem unexpected and different. I would say that this show is perhaps the biggest shift I've seen since I began following Gareth Pugh. For one, this collection seemed a lot less heavy, dark, and somber. Usually, even for Spring, Pugh's clothes are hefty in layering and materials. However, this time around the bouncy fabrics wafted off the models in electric reds, blacks, and whites. When there was hardness and weight, like the black leather dresses, it was cut short, allowing model's legs and arch-killing stiletto high heels to show. In fourteen of the looks, legs were covered in second-skin latex tights. At first glance, most people would view the styling of this collection as clownish or pertaining to the circus, but when you read into it under you understand Pugh's influences, you see that the biggest influence of this collection is the performance artist Leigh Bowery. Bowery might not be a household name, but he was a truly unique and strange individual who can be described perfectly as a living work of art. His canvas was himself, and his infamous club Taboo in the mid 1980's. I think Gareth Pugh really brought the attitude of those club kids to the catwalk, with high energy music, models, styling, and constructions. All of the outerwear was draped and belted in excellent geometric shapes, making the actual clothes extremely forward-pushing, something not very common in an environment obsessed with nostalgia. Overall, a fantastic, high energy collection that was unexpected and fantastic for Gareth Pugh.

Friday, September 18, 2015

What I Wore



Top: Vintage
Sweater: Vintage
Plaid Pants: Forever 21 Men
Shoes: T.U.K 8503
Brooch: Etsy Find
Bracelet: Ragstock
Sunglasses: Ragstock

Saturday, September 5, 2015

What I Wore







Shirt: Express
Jeans: DIY Forever 21
Boots: Dr. Martens 1914
Hat: Forever 21
Bag: Rue 21

© Brock Anthony Lee

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